Music in Nineteenth|Century Britain

Prince Albert and Anglo-German Connections in 19th-Century Music

Throughout the Victorian era, Britain welcomed many German-born musicians who made significant contributions to the development of music. On the other hand, a ...

Connected Projects - NINETEENTH-CENTURY SONG CLUB

Sound and Sense in British Romanticism, eds. James Grande and Carmel Raz, (Cambridge UP, forthcoming). Scripture and Song in Nineteenth-Century Britain, eds.

8. Music in Seventeenth-Century England

Title page of John Hilton, Catch that Catch Can (London: Playford, 1652), Folger Shakespeare Library John Ward, "Weep forth your tears," performed by ...

Women and Music in the Early 19th Century - Sharon Lathan, Novelist

Artists were unafraid to experiment and break established rules, adding their unique twists and embracing the emotional elements of music.

British influence on American music continued to be strong in the early 18th Century. Companies of British actors, as singers and musicians toured the ...

The British Empire in Late Eighteenth- and Early Nineteenth-Century ...

To date, the colonial links between Scottish music from the long eighteenth century and the burgeoning British Empire have not been analysed.

Sound Authorities: Scientific and Musical Knowledge in Nineteenth ...

Gillin. Sound Authorities: Scientific and Musical Knowledge in Nineteenth-Century Britain. , by. Edward J. Gillin. (.

Music, Culture, and Empire in Eighteenth-Century Britain

A digital series of performances and talks exploring the lives of musicians and their patrons in eighteenth-century London.

Prince Albert and Anglo-German Connections in 19th-Century Music

Throughout the Victorian era, Britain welcomed many German-born musicians who made significant contributions to the development of music. On the other hand, a ...

Musical Women in Europe in the Long Nineteenth Century

... music publishers who were prominent in the musical life of Europe in the nineteenth century. Location: Manchester (UK), Royal Northern College of Music.

London's art music and provincial listeners in England c.1700–1850

For most of the period provincial audiences were drawn from the wealthy ranks of society, but towards the middle of the nineteenth century ...

Cockney-styled artistes of late 19th and early 20th century music hall ...

By the last decade of the nineteenth century and continuing into the first of the twentieth, music hall in Britain had become a commodified, ...

COMMERCIAL MUSIC-MAKING IN EIGHTEENTH CENTURY ...

COMMERCIAL MUSIC-MAKING IN EIGHTEENTH CENTURY. NORTH-EAST ENGLAND: A PALE REFLECTION OF LONDON? Volume I. NEWCASTLE UNIVERSITY LIBRARY. 201 10838 1. L113 t4.

Music in the Domestic Sphere: Musical Women in Nineteenth ...

Music was a vital part of the lives of women in the nineteenth century as it was played and practiced in the homes of middle-class women ...

Music & the British Military in the Long Nineteenth Century

Although military music was among the most widespread forms of music making during the nineteenth-century, it has been almost totally overlooked by music ...

Music Analysis in Britain in the Nineteenth and Early ... - Project MUSE

Music Analysis in Britain in the Nineteenth and Early Twentieth Centuries, by Catherine Dale, and Parry's Creative Process, by Michael Allis, ...

Researchers reveal the best-selling 'pop' songs of 17th century ...

Researchers from Queen's and the University of Warwick have compiled the first ever collection of hit songs from seventeenth-century England, including over ...

Music and Theater in Eighteenth-Century Britain - The Center for 17th

While music had always been important to the theater, the status of musical entertainment became increasingly fraught as the duopoly of the patent theaters was ...

Towards a sonic history of Chartism: Music, sound and politics in ...

Towards a sonic history of Chartism: Music, sound and politics in mid-nineteenth-century Britain. Ahead of tonight's Parliaments, Politics ...

Music In The Seventeenth And Eighteenth Centuries

It was the century in which music embodied visionary philosophy, provided its audience with a medium in which they could live vicarious emotional lives.