Mixed Semiotic Strategies in Post|Cagean Musical Experimentalism

Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism

Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical. Experimentalism. Iain Campbell. University of Dundee. [draft only, final version ...

Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism

When beginning to think about the relation between experimental music and the thought of Gilles Deleuze, this quotation seems to be a natural starting point ...

Iain Campbell (University of Edinburgh): Publications - PhilPeople

Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism. In Paulo de Assis & Paolo Giudici (eds.), Machinic Assemblages ...

Iain Campbell | University of Edinburgh - Academia.edu

... Mixed Semiotic Strategies in Post- · Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism (2021). Machinic Assemblages ...

Papers matching 'Iain Campbell' - PhilPapers

Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism.Iain Campbell - 2021 - In Paulo de Assis & Paolo Giudici (eds ...

Experimental practices of music and philosophy in John Cage and ...

Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism.Iain Campbell - 2021 - In Paulo de Assis & Paolo Giudici (eds ...

Machinic Assemblages of Desire: Deleuze and Artistic Research 3

Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism. (pp. 107-114). Iain Campbell. https://doi.org/10.2307/j ...

MACHINIC ASSEMBLAGES OF DESIRE - Orpheus Instituut

Sounds Flush with the Real: Mixed Semiotic Strategies in Post-. Cagean Musical Experimentalism ... Mixed Semiotic Strategies in Post-Cagean.

Post-Cagean Aesthetics and the "Event" Score - Identities

In this classic essay, the aesthetic upheavals of the 1950s and. 1960s in both music and art are posed as reversing or modifying a historical ...

Music and Semiotics: An Experiential Approach to Musical Sense ...

This chapter sketches recent evolutions of semiotics as applied to music. Rather than providing merely a historical overview, ...

Post- Cagean Aesthetics and the Event Score Liz Kotz - faculty.ucr.edu

Made by artists active in New York's interdisciplinary neo- avant- garde, these pieces came out of an expanded sense of “music” and an ...

Towards a semiotic model of mixed music analysis - ResearchGate

It describes the immanent structure of the environments and releases the potential interactions between the instrumental and the electronics of mixed music.

Music, sound art and context in a post-Cagean era | Seismograf

The question of autonomy has always been at the core of the discursive practices of music (Loesch 2004), but since the 1950s, the matter of text versus context ...

Post-Cagean Aesthetics and the "Event" Score - faculty.ucr.edu

Most accounts of 1950s experimental music note the extreme divergence between the chance-generated and “indeterminate” work of Cage and his col- leagues ( ...

Filling The Gaps: Playing The Semiotic Network In The ...

His ability to conjure something from nothing, and perform musical alchemy, was nothing short of magic to my young mind. It is from him that I ...

(PDF) Review - Joe Panzner (2015), The Process That Is the World ...

Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism (2021). 2021 •. Iain Campbell. draft only, final version published ...

Intercultural Synthesis in Postwar Western Art Music

types of techniques or strategies utilized to juxtapose or integrate Asian and Western musical resources. In surveying a broad range of post-1945 art music ...

The Semiotics and Rhetoric of Music: A Case Study in Aesthetic ...

The study is rhetorical because its focus is effect, not meanings in themselves. It employs “aesthetic protocol analysis,” a design where informants write about ...

Chapter 2 : Music as sign-system—a survey of scholarship

The author contends that semiotics, while very much a part of contemporary linguistic theory, has certain limitations as far as the analysis of improvised music ...

Introductory notes to the Semiotics of Music - Philip Tagg

After all, without the sounds that move people, young or old, to boogie on down, feel sad and wistful, or part of a group, there is no social ...